Exclusive Interview : Lisa See on Shanghai Girls
I’m writing this on a plane to Shanghai. For the last couple of weeks I’ve been thinking about all the things I want to see and do on this research trip: look deeper into the Art Deco movement in Shanghai, visit a 17th-century house in a village of 300 people to observe the Sweeping the Graves Festival, and check out some old theaters in Beijing. But as I sit on the plane, I’m not thinking of the adventures that are ahead but of the people and places I’ve left behind. I’ve been gone from home only a few hours and already I’m homesick!
This puts me in mind of Pearl and May, the characters in Shanghai Girls. This feeling--longing for home and missing the people left behind--is at the heart of the novel. We live in a nation of immigrants. We all have someone in our families who was brave enough, scared enough, or crazy enough to leave the home country to come to America. I’m a real mutt in terms of ancestry, but I know that the Chinese side of my family left China because they were fleeing war, famine, and poverty. They were lured to America in hopes of a better life, but leaving China also meant saying goodbye to the homes they’d been born in, to their parents, brothers, and sisters, and to everything and everyone they knew. This experience is the blood and tears of American experience.
Pearl and May are lucky, because they come to America together. They’re sisters and they have each other. I’ve always wanted to write about sisters and I finally got my chance with Shanghai Girls. You could say that either I’m an only child or that I’m one of four sisters, because I have a former step-sister I’ve known for over 50 years and two half-sisters from different halves who I’ve known since they were born. Is Shanghai Girls autobiographical? Not really, but my sister Katharine and I once had a fight that was like the flour fight that May and Pearl got into when they were girls. And there was an ice cream incident that I used in the novel that sent my sister Clara right down memory lane when she read the manuscript. I’m also the eldest, and we all know what that means. I’m the one who’s supposed to be the bossy know-it-all. (But if that’s true, then why are they the ones who are always right?) What I know is that we’re very different from each other and our life experiences couldn’t be more varied, and yet we have a deep emotional connection that goes way beyond friendship. My sisters knew me when I was a shy little kid, helped me survive my first broken heart, share the memories of bad family car trips, and were at my side for the happiest moments in my life. More recently, we’ve begun to share things like the loss of our childhood homes, the changing of the neighborhoods we grew up in, and the frailties and illnesses of our myriad parents.
My emotions and experiences are deeply entwined with the stories I write. So as I fly over the Pacific, of course I’m thinking about May and Pearl, the people and places they left behind, the hopes and dreams that kept them moving forward, and the strength and solace they found in each other, but I’m thinking about myself too. As soon as I get to the hotel, I’m going to call my husband and sons to tell them I arrived safely, and then I’m going to send some e-mails to my sisters.--Lisa See
From Publishers Weekly
See (Peony in Love) explores tradition, the ravages of war and the importance of family in her excellent latest. Pearl and her younger sister, May, enjoy an upper-crust life in 1930s Shanghai, until their father reveals that his gambling habit has decimated the family's finances and to make good on his debts, he has sold both girls to a wealthy Chinese-American as wives for his sons. Pearl and May have no intention of leaving home, but after Japanese bombs and soldiers ravage their city and both their parents disappear, the sisters head for California, where their husbands-to-be live and where it soon becomes apparent that one of them is hiding a secret that will alter each of their fates. As they adjust to marriage with strangers and the challenges of living in a foreign land, Pearl and May learn that long-established customs can provide comfort in unbearable times. See's skillful plotting and richly drawn characters immediately draw in the reader, covering 20 years of love, loss, heartbreak and joy while delivering a sobering history lesson. While the ending is ambiguous, this is an accomplished and absorbing novel. (June)
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From Booklist
Today they would be called fashion models. But in early-twentieth-century China, sisters Pearl and May were known quaintly as “beautiful girls,” whose sophisticated cover-girl images set the standard for young Chinese women and exemplified the hopes of an ancient nation catapulted into anxious modernity as it balanced on the brink of war. Paradoxically, Pearl and May were also the products of a traditional upbringing in which their father controlled their destiny, selling them into marriage to Chinese men from America to settle gambling debts to a depraved Shanghai mobster. The tortuous route they take to first avoid, then accept, and finally embrace their abrupt fall from grace is rife with the most heinous tragedies—rape and murder, betrayal and abandonment, poverty and servitude. Through it all, one thing ensures their survival: the sisters are tenaciously devoted to each other, though time and events will strain this loyalty nearly to the point of destruction. Examining the chains of friendship within the confines of family, See’s kaleidoscopic saga transits from the barbaric horrors of Japanese occupation to the sobering indignities suffered by foreigners in 1930s Hollywood while offering a buoyant and lustrous paean to the bonds of sisterhood.
Review
“See is a gifted writer, and in Shanghai Girls she again explores the bonds of sisterhood while powerfully evoking the often nightmarish American immigrant experience.”—USA Today
“A buoyant and lustrous paean to the bonds of sisterhood.”–Booklist
“A rich work. . . . as compulsively readable as it is an enlightening journey.”—Denver Post
“The glamour of prewar Shanghai is recalled in Lisa See’s deftly plotted Shanghai Girls.”—Vogue
“Splendid”—More
Product Description
In 1937, Shanghai is the Paris of Asia, a city of great wealth and glamour, the home of millionaires and beggars, gangsters and gamblers, patriots and revolutionaries, artists and warlords. Thanks to the financial security and material comforts provided by their father’s prosperous rickshaw business, twenty-one-year-old Pearl Chin and her younger sister, May, are having the time of their lives. Though both sisters wave off authority and tradition, they couldn’t be more different: Pearl is a Dragon sign, strong and stubborn, while May is a true Sheep, adorable and placid. Both are beautiful, modern, and carefree . . . until the day their father tells them that he has gambled away their wealth and that in order to repay his debts he must sell the girls as wives to suitors who have traveled from California to find Chinese brides.
As Japanese bombs fall on their beloved city, Pearl and May set out on the journey of a lifetime, one that will take them through the Chinese countryside, in and out of the clutch of brutal soldiers, and across the Pacific to the shores of America. In Los Angeles they begin a fresh chapter, trying to find love with the strangers they have married, brushing against the seduction of Hollywood, and striving to embrace American life even as they fight against discrimination, brave Communist witch hunts, and find themselves hemmed in by Chinatown’s old ways and rules.
At its heart, Shanghai Girls is a story of sisters: Pearl and May are inseparable best friends who share hopes, dreams, and a deep connection, but like sisters everywhere they also harbor petty jealousies and rivalries. They love each other, but each knows exactly where to drive the knife to hurt the other the most. Along the way they face terrible sacrifices, make impossible choices, and confront a devastating, life-changing secret, but through it all the two heroines of this astounding new novel hold fast to who they are–Shanghai girls.
About the Author
Lisa See is the New York Times bestselling author of Peony in Love, Snow Flower and the Secret Fan, Flower Net (an Edgar Award nominee), The Interior, and Dragon Bones, as well as the critically acclaimed memoir On Gold Mountain. The Organization of Chinese American Women named her the 2001 National Woman of the Year. She lives in Los Angeles.
graduated from Brigham Young University with a degree in English Literature, and she lives with her husband and three young sons in Arizona. Stephenie is the author of Twilight, New Moon, Eclipse, and Breaking Dawn.
